Buffy: 15 Dark Secrets About Xander Harris Even Die-Hard Fans Don't Know
She psychoanalyzes her relationship with Xander, saying part of the thrill of their relationship was the constant danger. Bored out of her mind, Vampire Willow. Willow Danielle Rosenberg is a fictional character created for the fantasy television series Buffy . In a related episode, "Doppelgangland", Willow meets " Vamp Willow", who dresses provocatively and flirts with her. Willow's relationship with Oz continues until a female werewolf appears on the scene, aggressively pursuing. One of the most endearing aspects of Buffy the Vampire Slayer was her Xander's relationship with Dawn in the comic books is really gross when . drastically altering storyline plans for Oz and Willow -- Xander would have.
And Nicholas Brendon turned out to be the perfect Xander. The name was chosen for the character because the name Xander is similar to "zander", which is a fish that is similar to pike fish.
Therefore, this is an extremely subtle callback to the original movie that started it all. In fact, Whedon has expressed on numerous occasion that he deeply relates to the character and that Xander is actually based on Whedon himself.
During the audio commentary for the episode "Welcome to the Hellmouth," Whedon had this to say: And he does make an idiot of himself a lot. Of course, he's a lot prettier and more muscular than anybody who acts like that should should be, but this is television. So get over it. There was once a time when Dawn had a crush on Xander when she was a child, but Xander did not in any way whatsoever reciprocate these feelings because he saw her as a little sister. Well, little sister's all grown up now, so they start boinking after randomly deciding to confess their feelings to each other.
Things get even grosser when Buffy confesses her own feelings to Xander after watching him kiss her sister, even though the two swore way back in season one to be just friends. Warren directs Andrew to shut down the surveillance network, but they are captivated by the action on the Magic Box camera. Buffy, stunned, goes to sit in the back yard. Dawn follows Buffy and they begin to talk about Buffy's affair with Spike.
Their bonding moment is cut short as Willow informs them both that Xander is gone — with an axe.
Spike and Anya get dressed and act awkwardly and embarrassed about their impulsive behavior. As Spike leaves the shop, Xander attacks him. Xander is about to stake Spike when Anya comes outside, trying to stop him; she distracts him long enough for Buffy to knock him out of the way. Xander and Anya yell at each other. Xander is disgusted that Anya had "let that evil, soulless thing touch [her]"; Spike quietly remarks that he was good enough for Buffy.
Xander tells Spike to leave Buffy out of it — then he and Anya see Buffy's startled face and connect the dots. This is too much for Xander; he drops the stake and walks away stunned. Buffy also walks off, angry at Spike for revealing their secret. Spike finally starts to make a wish, but Anya stops him, and they part ways. Willow is sitting in her bedroom when Tara appears, saying that repairing their love will be a long process — which she'd rather skip.
The scene where they use the disk to find the spot on the map references a similar scene in Raiders of the Lost Ark. Xander references the famous quote by George Mallory when arguing with Anya about her sleeping with Spike.
When she says she slept with him "because he was there," Xander replies, "What is he, Mount Everest? He replied, "Because it's there. The one he had that time I highlighted in his Babylon 5 novels Willow's outfit from the musical episode can also be seen on the door while she and Tara reconcile.
Buffy jokes that technically Dawn is only one and a half years old, and thus much too young to go fighting demons, because she was created as a teenager at the beginning of season five.
Xander and Anya's fight at the end of the episode mirrors some things that were said in Xander's false visions of his future in " Hell's Bells ", including telling Anya that she disgusts him and yelling to "leave her Buffy out of it". Xander previously believed Buffy and Spike were sleeping together in " Intervention ". Willow and Tara are reconciled. Buffy's relationship with Spike is revealed to Dawn, Xander and Anya. Halfrek reminds Anyanka that vengeance demons can not enact their own wishes.
The Scoobies learn that the Trio have been watching them with hidden cameras. The series' use of magic, as noted by religion professor Gregory Stevenson, neither promotes nor denigrates Wiccan ideals and Willow rejects Wiccan colleagues for not practicing the magic she favors.
Throughout the series, magic is employed to represent different ideas -— relationships, sexuality, ostracism, power, and particularly for Willow, addiction -— that change between episodes and seasons. The ethical judgment of magic, therefore, lies in the results: Using it wisely for altruistic reasons is considered a positive act on the series. She reveals that the spells she casts are physically demanding, giving her headaches and nosebleeds.
When Glory assaults Tara, making her insane, Willow, in a magical rage that causes her eyes to turn black, finds Glory and battles her. She does not come from the battle unscathed after all, Glory is a goddess and Willow "just" a very powerful witch and must be assisted by Buffy, but her power is evident and surprising to her friends.
The final episode of the fifth season sees Willow restoring Tara's sanity and crucially weakening Glory in the process. It also features Buffy's death, sacrificing herself to save the world. Fearing that Buffy is in hell, Willow suggests at the beginning of the sixth season that she be raised from the dead.
In a dark ceremony in which she expels a snake from her mouth, Willow performs the magic necessary to bring Buffy back. She is successful, but Buffy keeps it secret that she believes she was in heaven. Willow's powers grow stronger; she uses telepathy which her friends find intrusive, and she begins to cast spells to manipulate Tara. After Willow fails Tara's challenge to go for one week without performing magic, Tara leaves her, and for two episodes Willow descends into addiction that almost gets Dawn killed.
Willow goes for months without any magic, helping Buffy track three geeks called The Trio who grandiosely aspire to be supervillains. In an explosion of rage and grief, Willow soaks up all the dark magic she can, which turns her hair and eyes black.
Entropy (Buffy the Vampire Slayer) - Wikipedia
In the final episodes of the season Willow becomes exceedingly strong, surviving unharmed when Warren hits her in the back with an axe. She hunts Warren, tortures him by slowly pushing a bullet into his body, then kills him by magically flaying him.
Unsatisfied, she attempts to kill the other two members of the Trio but is unsuccessful due to her weakening power. She solves this problem by killing her 'dealer' from earlier in the season and draining him of his magic.
When she is confronted by Buffy they begin to fight, only to be stopped by Giles who has borrowed magic from a coven of wiccans. Willow successfully drains him of this borrowed magic, fulfilling his plan and causing her to feel all the pain of everyone in the world. She tries to ease the pain by destroying the world, finally to be stopped by Xander. She fears returning to Sunnydale and what she is capable of doing if she loses control again, a fear that dogs her the whole season.
Buffy and the Scoobies face the First Evilbent on ending the Slayer line and destroying the world. Potential Slayers from around the globe congregate at Buffy's home and she trains them to battle the First Evil. Willow continues to face her grief over Tara's death and, reluctantly, becomes involved with one of the Potentials, Kennedy Iyari Limon.
In the final episode of the series, " Chosen ", Buffy calls upon Willow to perform the most powerful spell she has ever attempted. With Kennedy nearby, cautioned to kill her if she becomes out of control, Willow infuses every Potential Slayer in the world with the same powers Buffy and Faith have. The spell momentarily turns her hair white and makes her glow—Kennedy calls her "a goddess"—and it ensures that Buffy and the Potentials defeat the First Evil.
As an actress she is a perfect interpreter in particular of the bare emotional directness which is the specialty of [series writer Marti] Noxon on form.Willow and Xander: is this really just another crush?
Goddesses and Monsters showing the character in an embrace with Aluwyn. Artwork by Jo Chen. Subsequent to Buffy's television finale, Dark Horse Comics collaborated with Joss Whedon to produce a canonical comic book continuation of the series, Buffy the Vampire Slayer Season Eight —11written by Whedon and many other writers from the television series. Unfettered by the practical limitations of casting or a television special effects budget, Season Eight explores more fantastic storylines, characters, and abilities for Willow.
Willow's cover art is done by Jo Chenand Georges Jeanty and Karl Moline produce character artwork and provide alternative covers. Willow reveals a host of new abilities including being able to fly and absorbing others' magic to deconstruct it. It explores the time she took away to discover more about her magical powers, under the tutelage of a half-woman half-snake demon named Aluwyn.
Willow is still involved with Kennedy through Season Eight, but becomes intimate with Aluwyn while they are together. She also continues to deal with grief from Tara's death, and struggles with the dark forces of magic that put her in opposition to Buffy.
Bookish, rational, naive, and sometimes absent-minded, she is also shown being open to magic, aggressively boyish, and intensely focused. Willow is malleable, in continuous transition more so than any other Buffy character. She is, however, consistently labeled as dependable and reliable by the other characters and thus to the audience, making her appear to be stable. In Willow's dream, she moves from an intimate moment painting a love poem by Sappho on Tara's bare back, [note 1] to attending the first day of drama class to learn that she is to be in a play performed immediately for which she does not know the lines or understand.
The dream presents poignant anxieties about how she appears to others, not belonging, and the consequences of people finding out her true self. As Willow gives a book report in front of her high school class, she discovers herself wearing the same mousy outfit she wore in the first episode of the show " Welcome to the Hellmouth " as her friends and classmates shout derisively at her, and Oz and Tara whisper intimately to each other in the audience.
She is attacked and strangled by the First Slayer as the class ignores her cries for help. She is often shown making choices that allow her to acquire power or knowledge and avoid emotional conflict. Willow enjoys power she is unable to control. She steals to accomplish her vocational goals and rationalizes her amoral behavior. This also manifests itself in a competitive streak and she accuses others who share their concerns that she uses magic for selfish purposes of being jealous.
No longer the conscience of the Scooby Gang, Willow cedes this role to Tara then revels in breaking more rules. Contradicting the characterization of Willow's issues with magic as addiction, Buffy essayist Jacqueline Lichtenberg writes "Willow is not addicted to magic.
Willow is addicted to the surging hope that this deed or the next or the next will finally assuage her inner pain. She is capricious and aggressive, the opposite of Willow's usual nature; her bad behavior so exaggerated that it does not instill fear into the viewer like other female vampires in the series, but indicates more about Willow's personality.
Shocked upon seeing her alter ego in "Doppelgangland", Willow states "That's me as a vampire? I'm so evil and skanky. And I think I'm kinda gay! Many Buffy fans saw this as a funny Easter egg when Willow revealed herself to actually be lesbian in later seasons.
Both Willows make the observation that "this world's no fun",  before they send Vamp Willow back into the alternate dimension from which she came, whereupon she is staked and dies immediately. The transition from Willow into Dark Willow, precipitated by Tara's immediate death when she is shot through the heart, was ambiguously received by audiences, many of whom never foresaw Willow's psychic break.
She changes visually when she walks into the Magic Box, a store owned by Giles, telekinetically retrieves dozens of dark magic books from the shelves, and leeches the words from the pages with her fingertips. As the words crawl up her arms and soak into her skin, her eyes and hair become black and her posture "aggressively aware and confident". Lights explode when she walks past.
She forcefully takes advantage of any opportunity to further her goals. She saves Buffy by removing the bullet from her chest, but later commandeers a tractor trailer, making it slam into Xander's car while he and Buffy are inside protecting Jonathan and Andrew, the other two members of the Trio. She floats, flies  and dismantles the local jail where Jonathan and Andrew are held. She is cruelly honest to Dawn and Buffy, and overpowers everyone with whom she comes in contact.
When she takes Giles' magic from him, she gains the ability to feel the world's pain, becoming determined to put the world out of its misery.